HIGHGRADE-ROCKET\'S BLAST COMICCOLLECTOR RBCC #133 frank brunner cover For Sale

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HIGHGRADE-ROCKET\'S BLAST COMICCOLLECTOR RBCC #133 frank brunner cover:
$28.75

Welcome to another Great item from SYOTTOYS and thanks forstopping by, after you have looked at this one, why not sit back, grab your favorite drinkand spend some time checking out all the wonderful things I have to offer. just click above. but first look below and offer or BUY.

NOTE:I will always combine items to save you shipping cost. HAVE A GREAT OF ITEM

YOU ARE CONSIDERING THE ITEM SHOWN IN THE AMAZING CONDITION SHOWN. YOU WILL LOVE, LOVE, LOVE IT.

THIS IS:

A CLEAN book/magazine, light edge wear only, 76 pages, but just filled with stuff, and very very cool.

purchased: oct 28, 1978 as stamped in light pen inside (the number of the issue is written in pen on the cover

front cover art: FRANK BRUNNER

back cover art: MIKE ZECK

Rocket\'s Blast Comicollector (RBCC) was a comics advertising fanzine published from 1964 to 1983. The result of a merger with a similar publication, RBCC\'s purpose was to bring fans together for the purpose of adding to their comic book collections. It also proved to be a launching pad for aspiring comic book creators, many of whom corresponded and exchanged their work through RBCC, and published work in the fanzine as amateurs.

RBCC featured fan-generated art, original articles, and advertisements from comic book fans and dealers. Debuting in the pre-direct market era (before the proliferation of comics retailers), RBCC was one of the first and largest forums for buying and selling comics through the mail — often, the only way for fans to acquire back issues was through advertisements in RBCC.[1] And, as ComicSource wrote, \"RBCC was also an educational forum, with rich articles devoted to comics and creators long absent from the newsstands, such as EC Comics.\"[1]

• 1 History
  • 1.1 Origins and merger
  • 1.2 Love era
  • 1.3 Van Hise era
  • 1.4 2002–2003 revival
• 2 Format
  • 2.1 Columns
• 3 References
• 4 External links

Inspired in part by the science-fiction fanzine/\"adzine\" The Fantasy Collector, in 1961, Jerry Bails, \"the father of comics fandom,\" created The Comicollector as \"a publication devoted primarily to the field\" rather than the occasional advertisements of comics for sale that appeared in The Fantasy Collector.[2] After publishing The Comicollector for a year, Bails passed it on to Ronn Foss.

Meanwhile, Miami-based comics and science fiction enthusiast G. B. Love had formed the Science Fiction and Comics Association (S.F.C.A.) and begun publishing his own fanzine, The Rocket\'s Blast (also debuting in 1961). In 1964 The Comicollector and The Rocket\'s Blast merged to form The Rocket\'s Blast and the Comicollector.[2][3] The first issue of the new publication was #29 (continuing the numbering of The Rocket\'s Blast) and dated April 1964. (By about issue #50 [1966], the fanzine had shortened its title to Rocket\'s Blast Comicollector, and often just referred to itself as RBCC.)

Cartoonist Grass Green was an early and frequent contributor to RBCC, as was Buddy Saunders (later proprietor of the Lone Star Comics chain of comic book retailers), and Raymond L. Miller. Contributing writers during this era included science fiction author Howard Waldrop.

Between issues #25 (published Dec. 1963) and #50 (1966), the zine\'s circulation grew from about 200 to over 1,100. By RBCC #75 (1968), the circulation was 2,000. With issue RBCC #100 (1973), the circulation hit 2,250.

Between 1968 and 1973, comics artist Don Newton produced almost two dozen covers for the Rocket\'s Blast Comicollector. Newton\'s science fiction strip The Savage Earth ran from 1968 to 1970 in RBCC.

Joe Kubert serialized his strip \"Danny Dreams\" in the pages of RBCC in 1971.

From 1972–1975 comics historian James Van Hise serialized his (and Larry Bigman\'s) \"Al Williamson Collector\" in the pages of RBCC.[4]

In the early 1970s, RBCC joined the WE Seal of approval program, a consumer protection/anti-mail fraud program.

In 1973, RBCC, under the editorship of Gabe Quintanilla, published a few text pieces by 17-year-old aspiring cartoonist Dave Sim.

Love published RBCC until 1974, when he moved from Miami to Houston, Texas, where he became involved with Star Trek fandom (and co-produced Houstoncon \'74 and \'75).

With Love\'s departure (issue #113, published in Sept. 1974), long-time contributor James Van Hise took over the publishing duties of Rocket\'s Blast Comicollector. Van Hise introduced new features and columns to the zine, freshening its aesthetic for new audiences.[5]

From 1976–1978, cartoonist Don Rosa serialized his adventure comic strip The Pertwillaby Papers in RBCC.

With the rise of the direct market system in the late 1970s and early 1980s, Rocket\'s Blast Comicollector no longer served the same purpose, as its readers could more easily find back issues in local comic shops than buying them through the mail. Competition from the likes of Comics Buyer\'s Guide pressured RBCC as well; after publishing on a monthly schedule for most of its existence, in 1978 RBCC went bimonthly. RRBC published four issues in 1979 (when their circulation hit a peak of 3,300), one issue in 1980, no issues in 1981, two issues in 1982, and its final issue, #153, in 1983. The last few issues were published by New Media Publications, which also published the fanzine LOC. RBCC\'s final issue was a parody issue titled \"The Contentious Journal\", which appeared to be satirizing its competitor magazine The Comics Journal.

In 2002–2003, James Van Hise temporarily revived The Rocket\'s Blast and the Comicollector, publishing four issues out of a new headquarters in Yucca Valley, California.[6]

Starting out as a photocopied fanzine, RBCC eventually morphed into a magazine-size publication.

RRBC regular features included columns, articles, reviews, interviews, and cultural commentary; fan-generated art; a letter column (titled \"Blasts from the Readers\"); and classified comic book ads.

• \"RB-CC Information Center\" (later shortened to \"Information Center\") — question-and-answer feature originated by Raymond L. Miller dealing with readers\' queries on all forms of pop entertainment, including comics, television, and movies. From 1974 to 1979, Don Rosa authored and illustrated the column (with Hilary Barta sometimes contributing illustrations).
• \"Comic Collector\'s Comments\" — news, reviews, and gossip[7] by Howard P. Siegel, running from c. 1968–c. 1979
• \"Comicopia\" — R. C. Harvey feature on syndicated newspaper comic strips
• \"Rocketeer Gossip\" — a regular column from 1964–c. 1967 mostly written by Rick Weingroff, with occasional contributions by Paul Gambaccini
• \"The Oddity Page\" (later changed to \"Oddities & Flashbacks\") — c. 1967–1968, typically written by Raymond L. Miller
• \"Eyeing the Egos\" — late 1960s feature by Jan Strnad
• \"The Keyhole\" — Hamilton Benedict news & analysis feature debuting in 1973; later taken over by Gary Brown
• \"Pulps Era of Adventure\" — written by Keith Gebers and James Van Hise
• \"A Twist of the Dial\" — occasional column about the Golden Age of radio, usually by John Cooper
• \"The EC Artist Collector\" — occasional mid-70s column by James Van Hise, Larry Bigman, and others
• \"Comics Commentary\" — by James Van Hise (late 70s)

Other columns, most of which appeared a few times at most, were contributed by Bernie Bubnis, Phil Seuling, Paul Gambaccini, Calvin Castine, Tom Fagan, and Rick Weingroff.

WHY HAVE HIS COMICS SOLD FOR SO MUCH MONEY: CONDITION, CONDITION, CONDITION--and look at these books, WOW...

In 1984 a man approached Jerry Weist, owner of \"The Million Year Picnic\" comic shop in Cambridge, Massachusetts, with a small sampling of comics from his collection. This initial meeting was the hobby\'s introduction towhat is now referred to as the White Mountain Collection. Few collections of Silver Age books approach the consistently high level of condition and page quality that White Mountain copies possess. Weist would eventually become the organizer for Sotheby\'s comic book and comic art sales.In that capacity,heintroduced the collecting world to this fabulous discovery, offering choice samplings in Sotheby\'s 1991, 1993 and 1996 sales.

Many collectors are still not aware that the collection\'s large body of Silver Age publications also included a small sampling of choice, early Underground Comix. It should also be said that mostcollectors have yet to grasp thesignificance of that inclusion. For most Silver Age collectors, the UG\'s are the forgotten books of the period, and this is a serious omission on their part.

AND EVEN FEWER KNOW AB0UT HIS COLLECTION OF SCIENCE FICTION BOOKS, H.P LOVECRAFT ITEMS (he published a zine called Lovecraftian Ramblings in the 80\'s), MAPS, TRAVEL BROCHURES, PORN, TV GUIDES, CAR MANUALS, MAGAZINES, ART, ETC. also in amazing, mostly unread mint condition. scale behind the item is in inches

I PACK BETWEEN CARDBOARD FOR SHOWN, USE S ZOOM IN FEATURE TO GET A GREAT LOOK AT THE ITEM UP CLOSE,

and email me any questions, please.

By placing a offer, you are accepting these terms and conditions. box ( BLACK VELVET below middle cardboard IN BAG 2)

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HIGHGRADE-ROCKET'S BLAST COMICCOLLECTOR RBCC #133 frank brunner cover

$28.75

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