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20-2, 022-07, 1890s, Cabinet Card, Gabriel Tarde (1843-1904) French Sociologist For Sale


20-2, 022-07, 1890s, Cabinet Card, Gabriel Tarde (1843-1904) French Sociologist
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20-2, 022-07, 1890s, Cabinet Card, Gabriel Tarde (1843-1904) French Sociologist:
$79.96

20-2, 022-07, 1890s, Cabinet Card, Gabriel Tarde (1843-1904) French Sociologist 20-2, 022-07, 1890s, Cabinet Card, Gabriel Tarde (1843-1904) French Sociologist

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Description You are offerding on an original Antique 1890's Cabinet Card Photograph, Jean-Gabriel Tarde (1843-1904) French Sociologist, about 50 years old.

To see all of my "Cabinet Cards" click here.

Family Tree (see last image).

More Info:
Jean-Gabriel Tarde (12 March 1843 – 12 May 1904) was a French sociologist and social psychologist, one of the first thinkers of modern criminology. His sons, Alfred de Tarde (1880-1925), Paul Tarde (1878-1948) and Guillaume Tarde (1885-1989), continued his work for a while.

An opponent of Cesare Lombroso's theory on the biological origin of crime, but above all a competitor of Émile Durkheim during the first debates that gave birth to modern French sociology, he became known in particular for his work entitled The Laws of Imitation (1890), which gives an account of social behaviour through individual psychological tendencies. Although he was one of the great actors in the intellectual debates of the second half of the nineteenth century, his work remained in the shadow of that of the Durkheimian school. His work has now been rediscovered and is the subject of a complete reissue in the collection "Les Empêcheurs de penser en rond" under the direction of Éric Alliez.

Gabriel Tarde was born on March 12, 1843, into a family of lawyers. Although his schooling showed him to be a brilliant student, his career was compromised by a serious illness, which interrupted his schooling for four years2 ; however, he took advantage of his periods of convalescence to read – especially Leibniz, who had a definite influence on his thought (see for example "Monadologie et sociologie", 1893). After two years of self-taught study and a year of law in Paris, he entered the court of Sarlat2, where he attained the title of judge.

Gabriel Tarde published numerous books, and did not limit himself to sociological and philosophical texts. He also wrote poems, plays, and even a utopian narrative (Fragment d'histoire future, 1896). He also remained discreet politically, especially at the time of the Dreyfus affair.

From 1903, his already fragile health deteriorated and Gabriel Tarde died in Paris on May 12, 1904, replaced by Henri Bergson in the chair of modern philosophy at the Collège de France where he had taught since 1900. In 1902 he gave lectures in criminology that have remained unpublished. In 1909, a statue was erected in his hometown of Sarlat-la-Canéda by Dr. Pierre Sarrazin.

Works:
Contes et poèmes, Paris, Calmann-Lévy, 1879, 288 p.
Maine de Biran and Evolutionism in Psychology, 1882.
La Criminalité comparée, Paris, Félix Alcan, 1886, 214 p.
Les Lois de l'imitation : étude sociologique, Paris, Félix Alcan, 1890, 431 p.
La Philosophie pénale, Lyon, A. Storck, coll. "Bibliothèque de criminologie", 1890, 566 p.
Études pénales et sociales, Lyon, A. Storck, coll. "Bibliothèque de criminologie", 1892, 460 p.
Les Transformations du droit : étude sociologique, Paris, Félix Alcan, 1893, 216 p.
Essais et mélanges sociologiques, Lyon, Paris, A. Storck, G. Masson, coll. "Bibliothèque de criminologie", 1895, 429 p.
La Logique sociale, Paris, Félix Alcan, coll. "Bibliothèque de philosophie contemporaine", 1895, 464 p.
Fragment d'histoire future, Paris, V. Giard and E. Brière, 1896, 52 p.
L'Opposition universelle: Essai d'une théorie des contraires, Paris, Félix Alcan, coll. "Bibliothèque de philosophie contemporaine", 1897, 451 p.
Études de psychologie sociale, Paris, V. Giard et E. Brière, coll. "Bibliothèque sociologique internationale", 1898, 326 p.
Les Lois pénales: essai d'une sociologie, Paris, Félix Alcan, 1898, 165 p.
Les Lois sociales: esquisse d'une sociologie, Paris, Félix Alcan, coll. "Bibliothèque de philosophie contemporaine", 1898, 172 p.
Les Transformations du pouvoir, Paris, Félix Alcan, coll. "Bibliothèque générale des sciences sociales", 1899, 266 p.
L'Opinion et la Foule, Paris, Félix Alcan, coll. "Bibliothèque de philosophie contemporaine", 1901, 226 p.
Psychologie économique, t. 1, Paris, Félix Alcan, coll. "Bibliothèque de philosophie contemporaine", 1902, 383 p.
Psychologie économique, t. 2, Paris, Félix Alcan, coll. « Bibliothèque de philosophie contemporaine », 1902, 449 p.
Gabriel Tarde, "La dialectique sociale [archive]", Revue Philosophique de la France et de l'Étranger, T. 26 (JUILLET A DÉCEMBRE 1888), PUF, pp. 148-165. (ref. Wikipedia)

 
Back has Photographer Information.
 
Photographer: Eug. Pirou, 5 Bard St, Germain, Paris
 

Card size: 4.25" x 6.5". #20-2, 022-07
 

The Cabinet Card was a style of photograph which was widely used for photographic portraiture after 1870. It consisted of a thin photograph mounted on a card typically measuring 108 by 165 mm (4+1⁄4 by 6+1⁄2 inches).

The carte de visite was displaced by the larger cabinet card in the 1880s. In the early 1860s, both types of photographs were essentially the same in process and design. Both were most often albumen prints, the primary difference being the cabinet card was larger and usually included extensive logos and information on the reverse side of the card to advertise the photographer’s services. However, later into its popularity, other types of papers began to replace the albumen process. Despite the similarity, the cabinet card format was initially used for landscape views before it was adopted for portraiture.

Some cabinet card images from the 1890s have the appearance of a black-and-white photograph in contrast to the distinctive sepia toning notable in the albumen print process. These photographs have a neutral image tone and were most likely produced on a matte collodion, gelatin or gelatin bromide paper.

Sometimes images from this period can be identified by a greenish cast. Gelatin papers were introduced in the 1870s and started gaining acceptance in the 1880s and 1890s as the gelatin bromide papers became popular. Matte collodion was used in the same period. A true black-and-white image on a cabinet card is likely to have been produced in the 1890s or after 1900. The last cabinet cards were produced in the 1920s, even as late as 1924.

Owing to the larger image size, the cabinet card steadily increased in popularity during the second half of the 1860s and into the 1870s, replacing the carte de visite as the most popular form of portraiture. The cabinet card was large enough to be easily viewed from across the room when typically displayed on a cabinet, which is probably why they became known as such in the vernacular. However, when the renowned Civil War photographer Mathew Brady first started offering them to his clientele towards the end of 1865, he used the trademark "Imperial Carte-de-Visite." Whatever the name, the popular print format joined the photograph album as a fixture in the late 19th-century Victorian parlor. (ref. Wikipedia)

If you have any questions about this item or anything I am saleing, please let me know.

Card Cond: VG-VG/EX (some wear), Please see scans for actual condition, (images 3, 4 & 5 are for reference only).

This Cabinet Card would make a great addition to your collection or as a Gift (nice for Framing).

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20-2, 022-07, 1890s, Cabinet Card, Gabriel Tarde (1843-1904) French Sociologist picture

20-2, 022-07, 1890s, Cabinet Card, Gabriel Tarde (1843-1904) French Sociologist

$99.95



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