1961 Seiberling Tire PRINT AD Whiteway White Wall over molten Heat Frame it for Sale

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1961 Seiberling Tire PRINT AD Whiteway White Wall over molten Heat Frame it For Sale

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1961 Seiberling Tire PRINT AD Whiteway White Wall over molten Heat Frame it :
$14.99

This is an original 1961 Seiberling PRINT AD

AD Measures approximately 8.5\" x 11.5\"

has no tears or stains and is Graded\"EXCELLENT\"

We do not retouch scans. This is the item you willreceive.

Most of the old magazine covers have a subscription creasedown the middle of the magazine because they were mailed by folding them -postal workers placed them into the mailboxes that way. To add to that many mencarried them in their back pockets! We try to choose only those that we wouldconsider useful – everyone’s opinions may vary in that respect so please reviewthe picture well.

Terms of Sale:

We do allow returns if you are not satisfied with yourpurchase and can return it in the same condition you received it after a 30-dayreview, we will refund your purchase, minus shipping upon receipt of thesellable item. A 20% restocking fee will be charged upon receipt of restock-able item, this covers relisting and fees we have already incurred. If an itemis returned damaged the value of the amount of damage will be deducted from theprice. The return of an item is the responsibility of the buyer and insuranceshould be considered for the return trip.

PLEASE- Before leaving Negative response PLEASE contactus. We appreciate the opportunity to attempt to remedy any issue(s) that mayarise. We have a generous return policy and are willing to amicably remedyproblems. Vintage Ads are fun, and we love to see them go to those who wantthem so PLEASE, feel free to reach out to us. Thank you in advance.

About Us & Vintage Ads:

We have been helping people with their historical paperneeds for over 15 years as a hobby. We take each transaction seriously and wetreat each item with the care and respect it and you \'the buyer\' deserves.These clips of history are becoming more and more hard to come by, so we aredetermined to handle them gently. We have chosen to leave the edges untrimmedto allow you (the buyer), the freedom and the most area to work with, so the areaoutside of the given AD area is not considered in the overall grading of the ADitself.

About VintageAdvertisements

The Vintage Advertisements we sell are never a laterreprint, photocopy or any kind of reproduction, but are the actual, originalAdvertisements from a Vintage Magazine.

Most print ads were published one time only and occasionallyas part of an AD \'campaign\', and were likely never commercially reproduced.Often a company may use a particular ad more than once in a year, making subtlechanges in subsequent magazines. Making spotting the changes a bit of achallenge and fun. Vintage Advertisements are truly a unique find anddistinctive piece for your empty frame!

Vintage AD\'s are wonderful matted, framed and hung in atheme room, hallway, cabin, or boathouse, how about the pool or recreationrooms? Great Décor for your business as well! Some of these ads and vintageMagazine Covers are terrific works of art done by some notable artists likeNorman Rockwell, Dean Cornwell, Douglas Crockwell, George Petty, William Steig,Charles E. Martin, Dick Sargent, Ricardo Magni, Jean Hugo, and so, so manymore…

Uses for Vintage Ads

Vintage Ads make great AD-ditions (or start) to your VintageAD Collection!

Vintage ADs can be used in Scrap Booking, Decoupage, orDecorations/Artwork.

So many possibilities! You can Archive them or artworkthem...

Vintage Magazine Covers are great art decor the aging andwear add character and mystique. Many of the old New Yorker magazine covershave a subscription crease down the middle of the magazine because they weremailed by folding them - postal carriers placed them into the mailboxes thatway. To add to that some men carried them in their back pockets! We try tochoose only those that we would consider useful – everyone’s opinions may varyin that respect so please review the picture well. We do not retouch actualscans. This is the item you will receive. Scans are sized however to fit the template parameters -

Our ADs are left untrimmed giving you the most creativeopportunity

GRADING STANDARDS

Mint(M) – Perfect as an advertisement or cover couldexpect to be. There are no visible flaws, dents, dings, scratches, tears,discolorations, or impressions on the paper of the advertisement or cover.

Near Mint (NM) - Minor signs of wear partly based onage and rarity of advertisement or cover. This condition describes an ad that \'looksperfect\', and has only the smallest and subtlest of flaws, which could includevery minor stress marks (the marks that result from turning a page, which inthis grade can only be seen at certain angles) or very minor printingimperfections. There is no surface wear, tearing, yellowing, staining,pencil/pen marks, or creasing on the paper.

Excellent (EX) - Minor signs of wear no fading of theink in the artwork. This condition is nearly perfect and allows for onlyslightly more subtle flaws than Near Mint. Minor stress marks, or printingimperfections, with no surface wear, staining, tearing, yellowing, pen/pencilmarks, or creasing to the advertisement or cover. Most people would see nothingwrong with an ad in this grade.

Very Good (VG)- This condition allows for only slightly more flaws than Excellent.There can be light stress marks barely visible or minor printing imperfections.A corner crease smaller than quarter inch, or two slightly less than perfectlysharp corners, or some yellowing at the edges (but not in the image area),possibly one edge tear smaller than quarter inch, very faint ink ghosting (thepresence of ink on the surface from a facing page, or from the reverse side),some light tanning of the paper overall from age. No surface wear, creasing inthe image area, staining, or pen/pencil marks.

Good (G) - This condition allows for more flaws thanVery Good, but no significant flaws. There can be some stress marks that arevisible, some light printer\'s ink marks, some light ink ghosting, lightcreasing, a light subscription fold, some light pencil marks, some lightsurface or edge wear, light surface staining in a small area, edge tearsshorter than one and one-half inch, tanning of paper overall but not brittle.This condition can also describe an otherwise EX ad with only one significantflaw such as a strong subscription crease or water stain. It would still looknice in a frame.

Fine (F) - This condition allows for more flaws thanG. There may be water staining with some discoloration, but not over themajority of the advertisement. There can be pen marks, a strong subscriptioncrease, surface wear, foxing, soiling, ink ghosting, improper trimming into(but not through) a printed border, tears less than three inches, edge wear,tanning overall, surface staining, and other flaws that one might expect froman ad that comes from a back cover or has been improperly stored for years. Itcan also describe an otherwise \"Good\" ad with one significant flawsuch as a strong subscription crease or water stain.

Poor (P) - This condition allows for some seriousflaws, and an ad in this shape will challenge the framer. All the flaws of the\"Fine\" condition and may be present on a \"Poor\" ad, alongwith others such as pieces missing, tape repairs, heavy staining, and soiling,ragged edges, brittle/flaking paper, crayon marks, holes, etc. Rough shape,used mainly for advertisements of such rarity that they would still commandsome value.

Some additional considerations used in Grading VintageADs

For the purpose of the collectability of vintageadvertisement and cover art, it is important to remember that the condition isjust one contributing factor to the overall value of a paper ephemera item.There are other factors to consider:

Rarity - is how unusual or how easily replaced theitem might be. Rarity increases value directly in proportion to the scarcity ofthe item. Was this item available one time and one time only? On the otherhand, was it a part of an ongoing continuing advertising campaign that showedup repeatedly through the years?

Unusual or Peculiarity – related to the above. Isthere more than one copy readily available in the marketplace? Is this a one ofa kind piece?

Contribution – how does a particular item fit into acollection? If there are ten items in a particular collection – perhaps gradedat a certain grade – may be worth more as a sum of the collection often than aseach individual by itself.

Sentiment - perhaps the most elusive quality of thepiece. Seldom if ever an issue for strict speculators, but might be a big issuewith collectors. Debatable if should be included as a ‘condition’.

Marketability – Looks at the potential buyersavailable for a particular item. What has this item sold for historically, andwhat is the demand for this particular piece now? The internet and online saleshave changed the way we shop for and collect vintage advertisements and covers.In some ways, these new sales channels have decreased the marketability of themore ‘common’ items. On the other hand, the rarer and more collectible itemsnow bring more buyers to the hobby or vocation. These conditions, in turn,could translate into more sales and a more uniform grading and archival system.

Paper – paper type and acidity, color, and age isanother factor to consider.

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