"Blue Lives" Nate McDonough (GRIXLY) BLM Law Enforcement Parody Alt Comics for Sale

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"Blue Lives" Nate McDonough (GRIXLY) BLM Law Enforcement Parody Alt Comics For Sale

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"Blue Lives" Nate McDonough (GRIXLY) BLM Law Enforcement Parody Alt Comics:
$10.00

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Comes sealed in acid-free bag.. Packaged between cardboard in a padded flat mailer (all made from 100% post- consumer recycled materials), by a one-man/single father independent shop. Combined shipping discounts available! Add another comic or small book for $0.50 ($1 for bigger stuff). Use the "Request Total" link above your cart if on a computer, or checkout normally and I will provide shipping discounts via refund!
"Blue Lives" by Nate McDonough (GRIXLY)
A stellar little indie bootleg featuring "The Spider, his nice aunt, his enemy Vemon and his employer Mr. JJJ." Story/art by Nate McDonough, creator of longboxes and Grixly Comix. 20 pages. Full Color. 6.75 x 10.25 inches.
exceprts from the awesome TCJ interview by Leonard Pierce on August 26th 2019:
The story could not be more simple: in a ruined landscape, after an unnamed apocalypse, two police officers rehearse the minutiae of their former lives in a now-ruined world with no crime, no law, and no life. Lacking anyone else to brutalize, they threaten a huge dead skull; lacking anything else to do, they take turns playing cops and robbers with each other, bellowing to the open spaces about how they must be shown respect. They gaze up at an empty sky, swirling like a Van Gogh midnight, and suspect that somewhere there are aliens disobeying the speed limit. Finding a random graffito on a ruined concrete wall reading “THE PIGS KILLED JESUS”, they alternate between self-pity and rage at this inanimate insult to their very existence, and they past the days of meaningless time searching for meager comforts and spewing a directionless anger with no target and no purpose...
McDonough’s art is exaggerated and bulky, but often perfect in its directness; his work in Grixly Comics, especially in its text-heavy and static panels, often reminds me of Raymond Pettibon). The last 20 pages of Blue Lives is a collection of one-panel portrayals of the police by various guests artists...(I’m especially fond of Chris Judge’s tattoo-art image of a “flic” with a grinning skull and Jason Young’s adaptation of a scene from Flannery O’Connor’s Wise Blood), but it’s a nice capper to a shockingly direct and effective indictment of the no longer hidden mentality of the modern policeman, forever battling and forever embattled.