Vintage kokeshi japanese wooden doll Mamoru Izu (1925-2019) K142 lot set OSHIN For Sale

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Vintage kokeshi japanese wooden doll Mamoru Izu (1925-2019) K142 lot set OSHIN:
$120.00

1. Kokeshi hand made by Mamoru Izu (1925-2019)
   

   12 inch / 30cm TallMamoru Izu AKA Mamoru GinzanThis Kokeshi showed up in Oshin ( Famous TV series )Oshin Kokeshi.

2. Mamoru Izu (1925-2019)Lineage: Naruko

   Master: Sadao Izu

   Disciples: Toru Izu

   [Biography] Mamoru Izu was born on March 21, 1925, in Shinbatake, Ginzan, as the fourth son of Kutaro Izu. His older brother, Sadao, learned woodturning from Eitaro Ando during the woodturning courses held in Ginzan in 1922 and 1924. Sadao made kokeshi dolls and toys in Ginzan but died in 1938. Therefore, when Mamoru graduated from elementary school in 1940, he could not learn woodturning from his brother and mostly trained himself. He made toys like spinning tops and small items like pincushions, but initially did not make any kokeshi dolls.

   In 1943, he joined the military as a volunteer soldier and returned home in 1946. The following year, he brought a transformer from Nagoya, installed it, and restarted his woodworking business by attaching a 3 kW motor. He supplied bobbins for thread spools and pot knobs to Gensaku Yaguchi in Yamagata and delivered wooden pipes, tea canisters, and tea trays to Onuma General Store in Yamagata. From around 1949, he began making traditional kokeshi dolls based on the models of his late brother, Sadao. During this period, several craftsmen, including Jinkichi Okazaki (from Oishida, Kitamurayama District, Yamagata, a disciple of Sadao), Takeshi Takahashi (from Urushizawa, Miyagi), Tatsuo Izu (Sadao’s eldest son and Mamoru’s disciple), and Suezo Igarashi (from Konno, Obanazawa, Yamagata, also Mamoru’s disciple), worked with him, but only Mamoru made kokeshi dolls.

   In 1954, a fire forced him to temporarily close his business, and the craftsmen left. In 1958, he acquired a lathe from Yoshitaro Haku and rebuilt his workshop to restart his woodworking business. Around January 1960, he briefly resumed making kokeshi dolls on the advice of Minekichi Nishida and Hajime Shibata, but later focused on running the Takimiya restaurant and stopped making kokeshi dolls almost entirely. From around 1966, alongside running the restaurant, he started making kokeshi dolls again. During this time, he studied his brother Sadao\'s work from various periods, expanded his range of designs, and from around 1970, began creating his own styles.

   He passed away on May 17, 2019, at the age of 95.

   [Works] Mamoru inherited the styles of his brother Sadao. Sadao\'s master, Eitaro Ando, was a woodworker from Shimane Prefecture who also worked in Hijiori, and Sadao learned from him. Since Ushizo Sato also assisted Eitaro, it seems likely that kokeshi dolls were made during that time. Besides inheriting techniques from Eitaro, Sadao also trained in Naruko, strongly influencing his kokeshi style, and incorporated elements from Zao Takayu to establish his unique style.

   Mamoru\'s early works were somewhat naive with childlike faces, but by the 1970s, he had studied Sadao\'s pre-war works and developed a well-balanced style, establishing himself as the successor of Ginzan kokeshi Used

Kokeshi are traditional Japanese wooden dolls, characterized by their simple yet elegant design. They originated in the Tohoku region of Japan during the Edo period (1603-1868). These dolls are made from wood and typically feature a simple cylindrical body with a rounded head. Here are some key aspects of Kokeshi dolls:

1. Traditional Kokeshi (Dento Kokeshi)

   • These are the original forms of Kokeshi, handcrafted and typically passed down through generations of artisans.
   • They are classified into several regional styles, each with its own unique features and patterns, such as Naruko, Tsuchiyu, Yajiro, and others.
   • The designs often include hand-painted floral or geometric patterns, and the dolls are usually left unvarnished.

2. Creative Kokeshi (Shingata Kokeshi)

   • These emerged after World War II and allow for more artistic freedom.
   • Unlike traditional Kokeshi, they are not restricted by regional styles or patterns, leading to a variety of innovative designs and forms.
   • They may include more elaborate decorations, different shapes, and varnished style=\"border: 0px solid rgb(227, 227, 227); box-sizing: border-box; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-pan-x: ; --tw-pan-y: ; --tw-pinch-zoom: ; --tw-scroll-snap-strictness: proximity; --tw-gradient-from-position: ; --tw-gradient-via-position: ; --tw-gradient-to-position: ; --tw-ordinal: ; --tw-slashed-zero: ; --tw-numeric-figure: ; --tw-numeric-spacing: ; --tw-numeric-fraction: ; --tw-ring-inset: ; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(69,89,164,.5); --tw-ring-offset-shadow: 0 0 transparent; --tw-ring-shadow: 0 0 transparent; --tw-shadow: 0 0 transparent; --tw-shadow-colored: 0 0 transparent; --tw-blur: ; --tw-brightness: ; --tw-contrast: ; --tw-grayscale: ; --tw-hue-rotate: ; --tw-invert: ; --tw-saturate: ; --tw-sepia: ; --tw-drop-shadow: ; --tw-backdrop-blur: ; --tw-backdrop-brightness: ; --tw-backdrop-contrast: ; --tw-backdrop-grayscale: ; --tw-backdrop-hue-rotate: ; --tw-backdrop-invert: ; --tw-backdrop-opacity: ; --tw-backdrop-saturate: ; --tw-backdrop-sepia: ; --tw-contain-size: ; --tw-contain-layout: ; --tw-contain-paint: ; --tw-contain-style: ; list-style-position: initial; list-style-image: initial; margin: 0px 0px 1.25em; padding: 0px 0px 0px 1.625em;\">
   • Materials: Made from different types of wood, such as cherry, dogwood, or chestnut, each providing a distinct texture and finish.
   • Construction: Traditionally, Kokeshi dolls are lathe-turned and hand-painted. The head is often a separate piece attached to the body.
   • Design: Typically, the dolls have no arms or legs. The facial features are simple, often just eyes and a mouth, with minimal detail.
   • Sizes: They come in various sizes, from a few inches to over a foot tall.
   Cultural Significance
   • Symbolism: Kokeshi dolls are often associated with protection against evil and are believed to bring good luck. They are sometimes given as gifts for good fortune or to comfort someone who is grieving.
   • Craftsmanship: The making of Kokeshi dolls is a respected art form, with many artisans dedicating their lives to perfecting their craft. Each region\'s style represents its unique cultural heritage.
   • Modern Appeal: While rooted in tradition, Kokeshi dolls have seen a resurgence in popularity, appealing to both collectors and those interested in traditional Japanese art and culture.
   Collecting Kokeshi
   • Authenticity: Collectors often seek traditional Kokeshi made by renowned artisans, each piece often signed and dated.
   • Value: The value of a Kokeshi doll can vary greatly depending on its age, condition, and the reputation of the artist.
   • Display: They are commonly displayed in homes, both as decorative items and as symbols of cultural pride.

   Kokeshi dolls embody a blend of simplicity and elegance, making them cherished items in Japanese culture and a fascinating subject for collectors and enthusiasts worldwide.

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