VERY YOUNG Child Actor BABY SANDY RARE - Signed RPPC inch photo 1941 for Sale

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VERY YOUNG Child Actor BABY SANDY RARE - Signed RPPC inch photo 1941 For Sale

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VERY YOUNG Child Actor BABY SANDY RARE - Signed RPPC inch photo 1941:
$343.14

AN ORIGINAL VERY EARLY RPPC SIGNED BY BABY SANDY IN 1941 AT ABOUT 3 1/2 YEARS OLD.
Baby Sandy, real name Sandra Lea Henville, is a former American child film actress. Henville was born, prematurely, in hospital in Los Angeles, California. She performed in her first film at the age of 15 months. She was considered \"Universal Pictures\' wonder baby\" and their answer to Shirley Temple.

Baby Sandy (born January 14, 1938), real name Sandra Lea Henville, is a former American child film actress.[1]
Henville was born, prematurely, in hospital in Los Angeles, California. She performed in her first film at the age of 15 months. She was considered \"Universal Pictures\' wonder baby\" and their answer to Shirley Temple. Her last film was before her fifth birthday, made for a second rank studio, Republic Pictures. She grew up and worked in the legal department of a local government. She married and divorced twice, and had two sons.Contents1 Work2 Filmography3 References4 Bibliography5 External linksWorkHer film Bachelor Daddy is based on a similar concept to the much later Three Men and a Baby.
FilmographyEast Side of Heaven (1939) Sandy, the Barrett BabyUnexpected Father (1939) Sandy (as Sandy Lee)Little Accident (1939) SandySandy Is a Lady (1940) Baby SandySandy Gets Her Man (1940) SandyBachelor Daddy (1941) Sandy (as Sandra Lee Henville)Melody Lane (1941) Sandy (as Sandy)Johnny Doughboy (1942) Baby SandyLife Alert television commercial 2005
The term child actor or child actress is generally applied to a child acting on stage or in motion pictures or television, but also to an adult who began their acting career as a child. To avoid confusion, the latter is also called a former child actor. Closely associated is teenage actor or teen actor, an actor who reached popularity as a teenager.
Many child actors find themselves struggling to adapt as they become adults, mainly due to typecasting. Macaulay Culkin and Lindsay Lohan are two particular famous child actors who eventually experienced much difficulty with the fame they acquired at a young age. Many child actors also become successful adult actors as well, a prime example of this being Jodie Foster, who was 12 years old in the film Taxi Driver in 1976 and went on to become an adult star with variety of films including The Silence of the Lambs (1991).Contents1 Regulation1.1 California1.2 United Kingdom2 Issues2.1 Ownership of earnings2.2 Competitive pressure3 Post-childhood success3.1 Other careers4 See also5 References6 External linksRegulationIn the United States, the activities of child actors are regulated by the governing labor union, if any, and state laws. Some projects film in remote locations specifically to evade regulations intended to protect the child. Longer work hours or risky stunts prohibited by California, for example, might be permitted to a project filming in British Columbia. US federal law \"specifically exempted minors working in the Entertainment Business from all provisions of the Child Labor Laws.\" Any regulation of child actors is governed by disparate state laws.
CaliforniaDue to the large presence of the entertainment industry in Hollywood, the state of California has some of the most explicit laws protecting child actors. Being a minor, a child actor must secure an entertainment work permit before accepting any paid performing work. Compulsory education laws mandate that the education of the child actor not be disrupted while the child is working, whether the child actor is enrolled in public school, private school or even home school. The child does their schoolwork under the supervision of a studio teacher while on the set.
United KingdomIn the United Kingdom, a child actor is defined as someone under school leaving age.[1] Before a child can work, they require a performance license from their Local Education Authority as well as a licensed chaperone; a parent can only chaperone their own child, if they are a licensed chaperone, and a chaperone\'s duties include acting in loco parentis and record arrival and departure time from the work place, the time a child is working, their breaks and the amount of tutoring.[1][2] A child requires three hours minimum of tutoring daily and a lesson must be a minimum of 30 minutes to count towards the total and with regards to 16 and 17-year-olds in further education, considerations are made in regards to their studies.[3]
There are regulations and guidance to safeguard all actors under the age of 18; OFCOM guidance states a child\'s health and safety, wellbeing and welfare is paramount in television production and factors such as their age, maturity and life experiences can affect their performance.[4] OFCOM also advises that broadcasters undertake risk assessments, consider seeking expert advice and follow best practise.[4]
IssuesOwnership of earningsBefore the 1930s, many child actors never got to see the money they earned because they were not in charge of this money. Jackie Coogan earned millions of dollars from working as a child actor only to see most of it squandered by his parents. In 1939, California weighed in on this controversy and enacted the Coogan Bill which requires a portion of the earnings of a child to be preserved in a special savings account called a blocked trust.[5] A trust that is not actively monitored can also be problematic however as in the case of Gary Coleman who after working from 1974, later sued his adoptive parents and former business advisor for $3.8 million over misappropriation of his trust fund.[6][7]
Competitive pressureSome people[who?] also criticize the parents of child actors for allowing their children to work, believing that more \"normal\" activities should be the staple during the childhood years. Others[who?] observe that competition is present in all areas of a child\'s life—from sports to student newspaper to orchestra and band—and believe that the work ethic instilled or the talent developed accrues to the child\'s benefit.[citation needed]
The child actor may experience unique and negative pressures when working under tight production schedules. Large projects which depend for their success on the ability of the child to deliver an effective performance add to the pressure.[citation needed]
Ethel Merman, who several times worked in long-running stage productions with child actors, disliked what she eventually saw as their overprofessionalization - \"acting more like midgets than children\" - and disapproved of parents pushing adulthood on them.[8]
Post-childhood success
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Jodie Foster in 1974There are many instances of troubled adult lives due to the stressful environment to which child actors are subjected. It is common to see a child actor grow up in front of the camera, whether in films, television shows or both. However, it is not uncommon to see child actors continue their careers throughout as actors or in a different professional field.
Jodie Foster started acting at age three, becoming the quintessential child actor during the 1970s with roles in films such as Tom Sawyer (1973), Alice Doesn\'t Live Here Anymore (1974), Taxi Driver (1976), Bugsy Malone (1976), The Little Girl Who Lives Down the Lane (1976), and Freaky Friday (1976). A child prodigy, Foster received her first Academy Award nomination at age 13 and later took a sabbatical from films to attend Yale University. She made a successful transition to adult roles, winning two Academy Awards for Best Actress before the age of 30, and starring in several successful and acclaimed films such as The Accused (1988), The Silence of the Lambs (1991), Nell (1994), Maverick (1994), Contact (1997), and The Brave One (2007), thus establishing herself as one of the most accomplished and sought-after actresses of her generation. She has also ventured into directing and her directing credits include films such as Little Man Tate (1991), Money Monster (2016) and television shows such as House of Cards, Orange Is the New Black, and Black Mirror.
Now adults, Daniel Radcliffe, Rupert Grint and Emma Watson, the three leads of the acclaimed Harry Potter film series (2001–11), starred in all the installments in the series, and have since continued to act in film, television, and theater in their early thirties.
Dakota Fanning rose to prominence after her breakthrough performance at age seven in the film I Am Sam (2001). Her performance earned her a Screen Actors Guild Award nomination at age eight in 2002, making her the youngest nominee in SAG history. She later appeared in major Hollywood productions, in such acclaimed blockbuster films as Man on Fire (2004), War of the Worlds (2005), Charlotte\'s Web (2006), Hounddog (2007), The Secret Life of Bees (2008), Coraline (2009), The Twilight Saga film series (2009–12), The Runaways (2010), and The Motel Life (2012). Fanning\'s younger sister, Elle Fanning also rose to prominence as a child actress, having appeared in many films since before she turned three.
Miranda Cosgrove, known mainly for her role on Drake & Josh as a child, gained more attention for her role as a teenager in the show iCarly. Since the end of the show she has been featured in other roles, including as the voice of Margo in the Despicable Me franchise. Once she was of age, she decided to pursue a college degree in film at the University of Southern California.[9]
Shirley Temple became a public figure and diplomat, beginning in the 1960s. Some of her duties included representing the United Nations, and becoming a U.S. ambassador in countries such as Ghana and Czechoslovakia.[10]
Mary-Kate Olsen was treated for an eating disorder, deemed anorexia, but her twin sister remained less troubled. In an article with the magazine Marie Claire, Mary-Kate expressed the bittersweet nature of the twins\' childhood. \"I look at old photos of me, and I don\'t feel connected to them at all,\" she said. \"I would never wish my upbringing on anyone... but I wouldn\'t take it back for the world.\" The twins now have continued success in the fashion industry with an estimated net worth of approximately $100 million.Since the beginning of her career at age 15 in 1999, Mandy Moore is one of the child stars to have success as an adult.Drew Barrymore started acting at age three. During her childhood she battled with drugs, but today she continues to act in films. Natalie Portman took a small break in acting to get a bachelor\'s degree in Psychology from Harvard University before continuing her career as an actress. Rider Strong, known as \"Shawn Hunter\" in Boy Meets World, was educated at Columbia University and now runs a successful blog and published a graphic novel.[11] Neil Patrick Harris got his acting start in Doogie Howser, M.D. He continues to act in television, films and theater.
Jonathan Lipnicki, known mostly for the Stuart Little films, now successfully competes in Brazilian jiu-jitsu.[11] Sara Gilbert is known for her role on Roseanne and is now successful as a talk show host on The Talk. Also from Rosanne, Michael Fishman continued to work in film, but behind the scenes and has since been nominated for an Emmy for the work he did in Sports Science.[11] Kirsten Dunst and Lacey Chabert both made the transition from a child actress to an adult actress with a rough patch including depression. After a stay in a rehabilitation center, Dunst was able to recover and continue her career. She proves that the pressures of growing up under the spotlight may not come without repercussions.[12]
Roddy McDowall, who had a long and distinguished career including as the regular star of the Planet of the Apes series; Micky Dolenz, who started his career as a child star in the 1950s, grew up to be a musician of the successful 1960s pop group The Monkees, which had its own successful television show; Ron Howard, who, in addition to being the star of both of the long running The Andy Griffith Show and Happy Days television series, became an Academy Award-winning director in adulthood; Elijah Wood, who continued his career successfully into adulthood starring as Frodo Baggins in The Lord of the Rings film series and starring as Ryan Newman in the television series Wilfred. Other child actors who have continued their careers into adulthood include Mandy Moore, Rose Marie, Hayley Mills, Ann Jillian, Johnny Whitaker, Kathy Garver, Tim Matheson, Bonnie Franklin, Melissa Gilbert, Danielle Brisebois, Erika Eleniak, Max Pomeranc, Christina Ricci, Shelley Fabares, Candace Cameron Bure, Karron Graves, Gaby Hoffmann, Hilary Duff, Molly Ringwald, Stacy Ferguson, Jennifer Love Hewitt, Lisa Whelchel, Sarah Michelle Gellar, Soleil Moon Frye, Melissa Joan Hart, Dean Stockwell, Kurt Russell, Fred Savage, Neil Patrick Harris, Michelle Chia, Shawn Lee, Joshua Ang, Aloysius Pang, Raven-Symoné and other Academy Award winners and nominees include; Mickey Rooney, Judy Garland, Scarlett Johansson, Jake Gyllenhaal, Joaquin Phoenix, Helen Hunt, Irene Cara, Reese Witherspoon, Hilary Swank, Christian Bale, Saoirse Ronan, Brie Larson, Regina King, Jennifer Lawrence, Emma Stone, Elizabeth Taylor, and Leonardo DiCaprio.
Other careersMany actors\' careers are short-lived and this is also true of child actors. Many actors out of personal choice that start their careers as child actors decide not to pursue the same careers as adults, Shirley Temple became a public figure and diplomat. Peter Ostrum, appearing in his only role, the title character of Charlie Bucket in Willy Wonka and the Chocolate Factory became a large-scale veterinarian surgeon. Whilst Jenny Lewis, formerly of film Troop Beverly Hills in 1989, is a well-known singer-songwriter indie rock musician.
In Poland, former child actors and identical twin brothers Lech and Jarosław Kaczyński became successful politicians, at one time Lech being President and Jarosław the Prime Minister.
She’ll Be No Glamour GirlWhen She’s Grown UpThus Says Sandra Henville, KnownMore Familiarly as ‘Baby Sandy/In Her First InterviewBy the Associated Press. HOLLYWOOD.Three-year-old screen starlet Baby Sandy, in her first newspaperInterview, said she would much rather play in her own backyard makingbig fat mud pies than bother her pretty little blond head about growingup to be a “glamour” girl in the movies.“Pooh, pooh on the glamour girls,” said the precocious, fair, blue-eyedmoppet, who got her first film assignment disguised as a boy while stilla babe in arms, and has just completed her sixth picture.“When I grow up, I don’t wantto be an actress. I want to getmarried and have a lot of babies.None of this glamor stuff for me.”And with that, her mother, Mrs.Roy Henville, agreed, adding:“I want to keep Sandy in themovies for awhile because it meansso much to her. But I think Ialso would like to take her out ofpictures before she gets old enoughto know too much about them.However, that is a question thatwill have to be decided when thetime comes.”When interviewed, Sandy—herreal name is Sandra—had just hadtwo big thrills. She had seen apreview of her latest picture. “BabySandy Gets Her Man,” which wasthe first in which she was oldenough to recognize herself on thescreen. And she had just leftSanta Claus, who was walkingaround the studio lot bearing aslight resemblance to rotund HughHerbert.Milk Bottle Route.Sandy assured Santa she was eating her spinach and drinking hermilk like a good girl and in returnwas promised a rocking horse and alot of dollies. Her mother says shereally is a good girl generally, butthat this old Santa Claus stuff certainly does work wonders on children.Sandy made her debut in themovies pYactically via the milk bottle route. Her father drove a milkwagon at the time and one of thecustomers on his route was Charles❖-Previn, musical director at Universalstudios.One day Mrs. Hcnville read anewspaper story that the studiowas looking for a baby to play withBing Crosby in “East Side ofHeaven.” So the next morningPapa Henville left a number of pictures of Sandy, along with the customary bottle of milk, when hecalled at the Previn home.Doesn’t Rehearse.Sandy was signed immediately forthe role which called for a boy baby,and it was not until sometime laterthat studio executives learned theirpotential starlet was a girl. Thatcalled for a slight change in plans,! but it didn’t matter much becausei by that time Sandy was a hit.! The slender little tot, whose brighteyes and cute mannerisms have wonfor her the admiration of the pubj lie as well as her older co-workers,plays most of her film scenes without rehearsals. She is accompaniedto the studio each day by her motherand spends her free time playingaround the set, or sleeping.Although she has her own individual dressing room, Sandy’sproudest possession at the studio isa miniature director’s chair, whichbears her name on the back.She has hundreds of expensivetoys, many of them sent by herfans, but she prefers to play witha battered toy express wagon and asmall rubber doll. Her favoritetreats are ice cream and grahamcrackers, and she thinks that working in pictures is \"a whale of a lo