Napoleon - An Intimate Portrait Napoleon - An Intimate Portrait



On eBay Now...

Postcard Real Face of George Washington Houdon Life Mask NEW 2022 Image For Sale


Postcard Real Face of George Washington Houdon Life Mask NEW 2022 Image
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.


Buy Now

Postcard Real Face of George Washington Houdon Life Mask NEW 2022 Image:
$3.00

“The Real Face of George Washington 4x6 Postcard Based Upon His Life Mask”

See the real face of George Washington. A NEW 2022 Photoshop reconstruction of Jean-Antoine Houdon’s 1785 life mask of George Washington postcard. Actual card has no watermark. See my other listings for prints.

Before photography, life masks were the best way to give us an exact likeness of their subject. Plaster would be applied to the head and sometimes upper torso to create a mold from which a life mask (cast bust) of the person would be created. In addition to being three-dimensional, the faithful transfer process of the life mask creation eliminated the “artistic license” and “sympathetic treatment” employed by many contemporary portrait artists. Thus, using life masks, I am able to complete a forensic/academic study of how the subjects most likely appeared using Adobe Photoshop to add flesh, hair, and other details.Jean-Antoine Houdon visited Mount Vernon on October 2, 1785 and stayed with Washington for two weeks. “During his two-week stay, Houdon followed Washington around, observing his posture and expression. He also took detailed measurements of his body and created the life mask to serve as a model for Washington’s face. He applied grease to Washington’s skin, put quills in his nostrils so he could breathe, and then covered his face with wet plaster. This impression created a mould that, once dried, could itself be filled with plaster to create a positive image of Washington’s face. Because Washington necessarily had his eyes closed, Houdon had to hollow out the pupils of the plaster mask to give the face a life-like expression.”
“Washington’s diary entry from October 10, 1785, indicates that he was fascinated by the process, and thoroughly documented the materials and method by which the plaster was prepared that day.”“In the servant’s hall adjacent to the Mansion, the General had laid down on a wooden table. His hair was pulled back, covered by a towel, while a large sheet protected his clothes. Oil was generously applied to his face, so that the hardened plaster of the mask would not adhere to his skin. Two large quills were placed inside each of the General’s nostrils to ensure he could breathe.”“Houdon took the mask back to Paris with him and used it to create the likeness of a final statue, which was erected in Richmond in 1796. Jefferson, the Marquis de Lafayette, and many of Washington’s relatives praised the statue as the most lifelike representation of Washington that had ever been made. By 1796, General Washington had become President Washington, and was just finishing his second term. He had become, if possible, even more famous than he had been in the 1780s, and Houdon’s statue drew national attention.”

About Digital Yarbs:

I'm Cheryl A. Daniel (Digital Yarbs) a Photoshop composition artist who enjoys history. I reconstruct life masks, statues and busts of famous early Americans and historic figures. Using life masks, I completed a forensic/academic study of how the subjects most likely appeared using Adobe Photoshop to add flesh, hair, and other details. My site, yarbs.net features reconstructions and animations of these life masks along with a little history and how the subjects might have looked in daguerreotypes and photographs.

About Life Masks:

To understand what these historic figures really looked like we cannot rely on paintings as they suffer from “artistic license” and “sympathetic treatment” commonly employed by many contemporary portrait artists. Before photography, the art form of the life mask was the best way to create an exact likeness of an individual. Basically, plaster would be applied to the head and sometimes upper torso to create a mold from which a life mask or bust of the person could be cast. This would result in a three-dimensional, faithful transfer capturing in minute detail the true likeness of the subject.

Sculptors John Henri Isaac Browere and Jean-Antioine Houdon cast life masks of George, Washington, John Adams, Thomas Jefferson, James Madison and many other historical figures. Thomas Jefferson endorsed his life mask bust, as did James and Dolley Madison when they saw it several days later. James Madison said of his own life mask, "Per request of Mr. Browere, busts of myself and of my wife, regarded as exact likenesses, have been executed by him in plaister, being casts made from the moulds formed on our persons, of which this certificate is given under my hand at Montpelier, 19, October, 1825."

Browere’s casting process utilized a proprietary plaster mixture that due to its lightweight nature did not distort the facial features of his subject’s face as the common plaster utilized by his contemporaries did. This by all accounts resulted in what was considered an extremely accurate likenesses.

J. I. Browere’s “work achieved a stark realism uncommon in that day. His plaster busts showed the age-lined brow, the pock-marked face; his subjects appeared as they were, not as artists generally portrayed them. His life masks were, and remain, the most authentic likenesses of some historic figures who lived in a day before photography provided more easily obtained but similarly uncompromising portraits."

Digital Yarbs Items:

My works are available as postcards, high quality archival giclée prints and limited edition canvas prints numbered and signed with certificate of authenticity.

Canvas Prints: Are Limited Edition, Signed and numbered with Certificate of Authenticity. Giclee wrapped canvas 16x20 .75 inch edge, open back with mirror border.

Paper Prints: Are Signed, numbered with Certificate of Authenticity and made of Kodak Professional Endura Premier Lustre paper. My signature on the back is signed with an archival acid free ink pen and the blue logo stamp uses archival acid free ink.

Postcards: Are 4×6 premium matte. Postcards come as a single card, pack of 10, pack of 25, or pack of 50.

Canvasas, prints and post cards contain NO watermarks.

Free Shipping via USPS.

If for any reason you are not completely satisfied with your item, we will completely refund your order.

Visit yarbs.net for more information on this image and to see more of my works with life masks.

What did the Founding Fathers look like? Can we know for certain?

Video will open in a new window

Using the mobile app? Copy this link into your browser:



Buy Now

Railroad Postcard:  Locomotive No. 1351 with Crew & Others - Real Picture picture

Railroad Postcard: Locomotive No. 1351 with Crew & Others - Real Picture

$12.49



Railroad Postcard: Canadian Train at the Connaught Tunnel - Real Picture picture

Railroad Postcard: Canadian Train at the Connaught Tunnel - Real Picture

$9.49



WW1 WWI 2nd Kansas Soldier Review Parade Eagle Pass TX RPPC Real Photo Postcard picture

WW1 WWI 2nd Kansas Soldier Review Parade Eagle Pass TX RPPC Real Photo Postcard

$49.95



Real Photo Postcard - 2 Little Girls - On Horseback - Tarjeta Postal  picture

Real Photo Postcard - 2 Little Girls - On Horseback - Tarjeta Postal

$8.10



REAL PHOTO DELTA COLORADO SAFEWAY GROCERY STORE ADVERTISING POSTCARD COPY picture

REAL PHOTO DELTA COLORADO SAFEWAY GROCERY STORE ADVERTISING POSTCARD COPY

$11.99



Antique Real Photo Postcard RPPC Woman and Baby picture

Antique Real Photo Postcard RPPC Woman and Baby

$4.75



Real Photo Postcard - Cute Little Boy Standing  picture

Real Photo Postcard - Cute Little Boy Standing

$6.75



Vintage Postcard:  Real Photo----1925 MELLON LAKE, WASHINGTON NH picture

Vintage Postcard: Real Photo----1925 MELLON LAKE, WASHINGTON NH

$21.12



Images © photo12.com-Pierre-Jean Chalençon
A Traveling Exhibition from Russell Etling Company (c) 2011