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1962 Chase Manhattan Bank PRINT AD Competition Shooter with Target Rifle For Sale


1962 Chase Manhattan Bank PRINT AD Competition Shooter with Target Rifle
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1962 Chase Manhattan Bank PRINT AD Competition Shooter with Target Rifle :
$14.99

This is an original 1962Chase Manhattan BankPRINT AD

Measures approximately 8.5" x 11.5"

has no tears or stains and is Graded "EXCELLENT"

We do not retouch scans. This is theitem you will receive.

Most of theold magazine covers have a subscription crease down the middle of the magazinebecause they were mailed by folding them - postal workers placed them into themailboxes that way. To add to that many men carried them in their back pockets!We try to choose only those that we would consider useful – everyone’s opinionsmay vary in that respect so please review the picture well.

Termsof Sale:

We do allowreturns if you are not satisfied with your purchase and can return it in thesame condition you received it after a 30-day review, we will refund yourpurchase, minus shipping upon receipt of the sellable item. A 20% restockingfee will be charged upon receipt of restock- able item, this covers relistingand fees we have already incurred. If an item is returned damaged the value ofthe amount of damage will be deducted from the price. The return of an item isthe responsibility of the buyer and insurance should be considered for thereturn trip.

PLEASE-Before leaving Negative response PLEASE contact us. We appreciate theopportunity to attempt to remedy any issue(s) that may arise. We have agenerous return policy and are willing to amicably remedy problems. Vintage Adsare fun, and we love to see them go to those who want them so PLEASE, feel freeto reach out to us. Thank you in advance.

AboutUs & Vintage Ads:

We have beenhelping people with their historical paper needs for over 15 years as a hobby.We take each transaction seriously and we treat each item with the care andrespect it and you 'the buyer' deserves. These clips of history are becomingmore and more hard to come by, so we are determined to handle them gently. Wehave chosen to leave the edges untrimmed to allow you (the buyer), thefreedom and the most area to work with, so the area outside of the given ADarea is not considered in the overall grading of the AD itself.

About Vintage Advertisements

The VintageAdvertisements we sell are never a later reprint, photocopy or any kind ofreproduction, but are the actual, original Advertisements from a VintageMagazine.

Most printads were published one time only and occasionally as part of an AD 'campaign',and were likely never commercially reproduced. Often a company may use aparticular ad more than once in a year, making subtle changes in subsequentmagazines. Making spotting the changes a bit of a challenge and fun. VintageAdvertisements are truly a unique find and distinctive piece for your emptyframe!

Vintage AD'sare wonderful matted, framed and hung in a theme room, hallway, cabin, orboathouse, how about the pool or recreation rooms? Great Décor for yourbusiness as well! Some of these ads and vintage Magazine Covers are terrificworks of art done by some notable artists like Norman Rockwell, Dean Cornwell, DouglasCrockwell, George Petty, William Steig, Charles E. Martin, Dick Sargent,Ricardo Magni, Jean Hugo, and so, so many more…

Usesfor Vintage Ads

Vintage Adsmake great AD-ditions (or start) to your Vintage AD Collection!

Vintage ADscan be used in Scrap Booking, Decoupage, or Decorations/Artwork.

So manypossibilities! You can Archive them or artwork them...

VintageMagazine Covers are great art decor the aging and wear add character andmystique. Many of the old New Yorker magazine covers have a subscription creasedown the middle of the magazine because they were mailed by folding them -postal carriers placed them into the mailboxes that way. To add to that somemen carried them in their back pockets! We try to choose only those that wewould consider useful – everyone’s opinions may vary in that respect so pleasereview the picture well. We do not retouch actual scans. This is the item youwill receive. Scans are sized however to fit the template parameters-

Our ADs areleft untrimmed giving you the most creative opportunity

GRADING STANDARDS

Mint(M) – Perfect as an advertisement orcover could expect to be. There are no visible flaws, dents, dings, scratches,tears, discolorations, or impressions on the paper of the advertisement orcover.

NearMint (NM) - Minorsigns of wear partly based on age and rarity of advertisement or cover. Thiscondition describes an ad that 'looks perfect', and has only the smallest andsubtlest of flaws, which could include very minor stress marks (the marks thatresult from turning a page, which in this grade can only be seen at certainangles) or very minor printing imperfections. There is no surface wear,tearing, yellowing, staining, pencil/pen marks, or creasing on the paper.

Excellent(EX) - Minor signs of wear no fading ofthe ink in the artwork. This condition is nearly perfect and allows for onlyslightly more subtle flaws than Near Mint. Minor stress marks, or printingimperfections, with no surface wear, staining, tearing, yellowing, pen/pencilmarks, or creasing to the advertisement or cover. Most people would see nothingwrong with an ad in this grade.

VeryGood (VG) - This condition allows for only slightlymore flaws than Excellent. There can be light stress marks barely visible orminor printing imperfections. A corner crease smaller than quarter inch, or twoslightly less than perfectly sharp corners, or some yellowing at the edges (butnot in the image area), possibly one edge tear smaller than quarter inch, veryfaint ink ghosting (the presence of ink on the surface from a facing page, orfrom the reverse side), some light tanning of the paper overall from age. Nosurface wear, creasing in the image area, staining, or pen/pencil marks.

Good(G) - This condition allows for moreflaws than Very Good, but no significant flaws. There can be some stress marksthat are visible, some light printer's ink marks, some light ink ghosting,light creasing, a light subscription fold, some light pencil marks, some lightsurface or edge wear, light surface staining in a small area, edge tearsshorter than one and one-half inch, tanning of paper overall but not brittle.This condition can also describe an otherwise EX ad with only one significantflaw such as a strong subscription crease or water stain. It would still looknice in a frame.

Fine(F) - This condition allows for moreflaws than G. There may be water staining with some discoloration, but not overthe majority of the advertisement. There can be pen marks, a strongsubscription crease, surface wear, foxing, soiling, ink ghosting, impropertrimming into (but not through) a printed border, tears less than three inches,edge wear, tanning overall, surface staining, and other flaws that one mightexpect from an ad that comes from a back cover or has been improperly storedfor years. It can also describe an otherwise "Good" ad with onesignificant flaw such as a strong subscription crease or water stain.

Poor(P) - This condition allows for someserious flaws, and an ad in this shape will challenge the framer. All the flawsof the "Fine" condition and may be present on a "Poor" ad,along with others such as pieces missing, tape repairs, heavy staining, andsoiling, ragged edges, brittle/flaking paper, crayon marks, holes, etc. Roughshape, used mainly for advertisements of such rarity that they would stillcommand some value.

Someadditional considerations used in Grading Vintage ADs

For thepurpose of the collectability of vintage advertisement and cover art, it isimportant to remember that the condition is just one contributing factor to theoverall value of a paper ephemera item. There are other factors to consider:

Rarity - is how unusual or how easilyreplaced the item might be. Rarity increases value directly in proportion tothe scarcity of the item. Was this item available one time and one time only?On the other hand, was it a part of an ongoing continuing advertising campaignthat showed up repeatedly through the years?

Unusualor Peculiarity– related to the above. Is there more than one copy readily available in themarketplace? Is this a one of a kind piece?

Contribution – how does a particular item fitinto a collection? If there are ten items in a particular collection – perhapsgraded at a certain grade – may be worth more as a sum of the collection oftenthan as each individual by itself.

Sentiment - perhaps the most elusive qualityof the piece. Seldom if ever an issue for strict speculators, but might be abig issue with collectors. Debatable if should be included as a ‘condition’.

Marketability – Looks at the potential buyersavailable for a particular item. What has this item sold for historically, andwhat is the demand for this particular piece now? The internet and onlinesales have changed the way we shop for and collect vintage advertisementsand covers. In some ways, these new sales channels have decreased themarketability of the more ‘common’ items. On the other hand, the rarer and morecollectible items now bring more buyers to the hobby or vocation. Theseconditions, in turn, could translate into more sales and a more uniform gradingand archival system.

Paper – paper type and acidity, color,and age is another factor to consider.

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